Self London -- a comprehensive analysis of women's sweater T-stage
- Jan 18, 2020
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Under the uncertainty of brexit, the show is full of destruction and subversion, echoing the current chaotic social and political climate. This season seems to be a little different for London Fashion Week, which is a carnival of ghosts and horses. Instead, it's another way of theatrical performance - to be yourself. London is keen to strengthen its position as an international creative center. For the first time in its history, it has opened the activities of professionals to the public and promoted the works of designers from all over the world. In addition to Vivienne Westwood, who hosts this season's women's and men's wear show, Shen Yue, the daughter of Hong Kong actress Qiu Shuzhen, has also attracted much attention as her father Shen Jiawei's fashion brand for the first time.
London show -- key data analysis
Instead of the ghost horse Carnival from the beginning to the end, London in the autumn and winter of 19 was replaced by another way of dramatic interpretation, which came from my intoxication. The design elements of crafts and patterns were well behaved in the show, and the key elements of color block matching were in a large proportion ahead of the techniques such as line marks and diamond decorations in the proportion of crafts, while the use of geometric forms in the patterns also made the single products dazzling, compared with the previous season For the large-scale promotion of alphabetic design, the English slogans in London show this season have obviously weakened trend, and the portrait art which occupies a place in woven has also extended to the field of sweaters, no matter the full version or partial presentation forms are brilliant.
Process heterogeneous splicing
The creative method of heterogeneous splicing is brilliant in this season's Taiwan TV station, and the splicing and shaping of sports and leisure are abandoned. London's major brands push this design element to the stage of personality. Victoria Beckham, who has gone through ten years, still pursues superior fabrics and simple lines. It cleverly combines silk slippery fabrics and soft sweaters to show the advanced texture. While the knitwear designer brand June uses two different yarns, chenille and wool, as the upper and lower splicing, to create more possibilities for different yarn weaving.
Technology -- color sense collision
This season's London show is not only an exaggeration, but also an expression of its own. It uses distinctive collision to interpret contemporary techniques. The elegant and frank Burberry once again demonstrates the outstanding craftsmanship. In addition to the contrast expression of light and dark colors, it selects the geometry of the metal ring connecting block surface to collide with the terseness attribute. Malva flora and Jamie Wei Huang add twist texture on the basis of color sense splicing for three-dimensional presentation, with clear layers and eye-catching.
Technology - shiny diamond
Christopher Kane is undoubtedly one of the most popular star level designers in the fashion industry, who brings endless freshness and endless topics to the fashion industry with extraordinary creativity and breakthrough design. The swaying diamond chain and dazzling flash diamond in the sweater embody distinct personality, and the orderly arrangement of neckline or placket has both beauty and practicability. Roberta einer's colorful sequins also add something new to the color blocked sweater, making ghost horse London more charming and energetic.
Craft -- floating line decoration
As a hot thread element in sweaters in recent seasons, Jamie Wei Huang, who graduated from St. Martin's college, London University of art, UK, has more dramatic effect in London Fashion week. He uses different thickness of thread fringes to create visual illusion, and rope decoration design forms three-dimensional letters to create unrestricted casual style and the overall shape is full of vitality.
Pattern -- combination of human and landscape
Different from the portrait printing presented in the previous season's tatting, more and more portrait art is presented in women's sweaters of London's T-stage this season, which is different from the creative technique of University of Westminster and Matty bovan, which presents the ghost horse effect in a large area. J.LINDEBERG selects the local real scene to break the simplicity of the pure color sweaters, and combines the beautiful scenery of fashion east to present the scene The nature of blending is free and easy.
Pattern -- colorful Lingge
The London show in autumn and winter was ignited by the rich and gorgeous Lingge. It is obvious that the self-attribute of dramatic charm is highlighted by the distinct contrast colors. The designer brand, preen by Thornton bregazzi, makes geometric transformation of the size of the color Lingge while highlighting the Frank cutting. The layering form makes the overall modeling more hierarchical and eye-catching.
Pattern -- modern folk custom
Folk patterns closely related to social aesthetics have also evolved in the show in recent seasons, forming a more fashionable modern style of painting. Image elements such as squares, rhombus and broken lines are also presented on flat sweaters according to the basic principle of orderly arrangement. They are graceful and unique.
Style jacquard suit
Jacquard, as one of the classic elements of the sweater, is also presented in a suit style on the London show in autumn and winter of 19. The colorful colors make the layers of the sweater upper and lower feel unified and harmonious. Modern, low-key and oil painting texture make the garment more expressionistic and free.